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安德烈:里欧:阿姆斯特丹皇室加冕音乐会高清海报 - 紫陌电影网_古装爱情影视紫陌情看免费看,古装爱情片 + 韩剧番剧,美剧古装爱情,4K 蓝光,古装爱情影视解析免费在线观看
970
4.0

安德烈:里欧:阿姆斯特丹皇室加冕音乐会

导演:

Pit Weyrich

主演:

André Rieu

别名:

未知

影片信息

4.0

970人评分

荷兰语,英语

语言

2013

上映时间

100分钟

片长

影片简介

2013年4月30日荷兰女王贝娅特丽克丝自愿退位,长子威廉继承王位。这场音乐会是为庆祝新国王继位,王后马克西姆和两位小公主也出现在大屏幕上~荷兰王室作风实在平民和低调,整场音乐会完全是荷兰人自娱的^-^,除了指挥Andre Rieu象征性地向新国王表示祝贺几句,为新王后献上一曲“别为我哭泣,阿根廷”(王后娘家在阿根廷,一句奉承的套话都木有,音乐会只有好听的音乐是多好的事儿啊~~~歌单有茶花女的祝酒歌,卡门的选段,苏格兰的风琴,肖斯塔科维奇的第二华尔兹,非常棒!荷兰观众大多站着,有淡金头发的姑娘小伙,也有神情严肃的中年人,还有好多开心的荷兰爷爷奶奶,华尔兹想起,几乎所有人都找了伴儿欢天喜地跳了起来,看着真感动~

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主演:Vítezslav Vejrazka,米罗斯拉夫·马哈切克,Cestmír Randa,Vít Olmer,Karla Chadimová,Vlastimil Hasek,Frantisek Kovárík,雅罗斯拉夫·毛奇卡,约瑟夫·赫利诺马兹,贝德里奇·卡兰,Jirí Belohoubek,Jirina Bílá,Monika Indingerová,Ladislav Kazda,Milan Kindl,伊里·弗斯塔拉

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In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.  The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).  Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.  As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.  Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.  The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.  Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.  The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.  The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

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安德烈:里欧:阿姆斯特丹皇室加冕音乐会

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